German sours
Although the theme of this website does permit it, I have never published on German sour styles such as Berliner Weisse. But a recent visit to Portland’s Belmont Station rewarded me with no fewer than four sour German beers: Bayerischer Bahnhof Berliner Style Weisse, Bayerischer Bahnhof Berliner Style Weisse Brettanomyces Lambicus, Dr. Fritz Briem’s 1809 Berliner Style Weisse, and Dr. Fritz Briem’s Piwo Grodziskie Grätzer Ale.
One of the intriguing theories about the origins of Berliner Weisse is that the style might have been brought to Germany by migrating Huguenots who were influenced by the sour reds and browns of Flanders — Belgian beer styles that have a rather complicated history themselves. As is virtually the rule with old beer styles, one can only speculate about how those ancient Berliner Weisse beers might have tasted, but beer writer Michael Jackson’s suggestion that traditionally these beers were buried in warm earth seems to indicate that the distinct lactic note may always have been a part of this style. Berliner Weisse (‘the Champagne of the North’) has survived but in terms of popularity it has been mostly replaced by sanitized bitter beer styles.
The Bayrischer Bahnhof Berliner Style Weisse beer that I tasted first has a low alcohol percentage of 3.0%, which is characteristic for the style. As far as bottle and label design is concerned, I will confine myself to the observation that German beers rarely excel in this area. Bayrischer Bahnhof Berliner Weisse pours a cloudy light golden color and has attractive crisp notes of peach, tropical fruits, wheat, and lactic acid. The refreshing dry lactic tart flavor gives way to a short Hefeweizen-like finish. Naturally, this beer is an easy drinker and I followed it with their Berliner Style Weisse Brettanomyces Lambicus release, which is a special edition of their classic style that received additional Brettanomyces Lambicus fermentation. This version produced an even bigger head after a vigorous pour, but also dissipated more quickly. The presence of brettanomyces is unmistakable in the aroma and it reduced the tropical complexity of the original version quite a bit. Although brettanomyces by itself produces little sourness, the presence of this yeast seems to amplify the lactic tartness of the beer by furthering drying it out, which is also evidenced by the thinner mouthfeel. In this case I think that the brettanomyces yeast took more away from the standard beer than it added, in particular the crisp fruity lactic notes. The finish is a little bit longer though.
Dr. Fritz Briem’s “historic” 1809 Berliner Style Weisse is quite a bit higher in alcohol (5%) and its production involved transferring the heated, un-boiled malt to open fermenters, after it was “pitched with yeast and lactic acid bacteria (isolated from malt) at 18°C.” The aroma suggests that wild yeast must have participated during the fermentation of this beer. This cloudy, yellow beer has a musty, honey-like aroma and is super carbonated. Whether intentional or not, there is little lactic tartness. Instead this beer is more similar to a traditional German wheat beer, albeit a little more rough around the edges. There was no finish to speak of.
Going by the label alone, Dr. Fritz Briem’s Piwo Grodziskie Grätzer with its sour mash and smoked malt looked quite appealing to me. My own readings of the native lambic literature support the idea that some lambic producers used smoked malt, and since Schlenkerla’s Märzen is one of the few non-lambic beers that really gets me excited, this obscure German style held great promise. The aroma of this golden, translucent beer certainly revealed its ingredients, although the smoke was not nearly as pronounced as I prefer. What struck me about this beer was how restrained all the different notes were; mild tartness, mild smoke, milt bitterness, and a nutty, medium-long finish. What surprised me the most was its smooth, cask/ESB-like mouthfeel. Although this beer turned out quite different from what I expected, it was the most refined and complex of the four sour Germans.
In traditional lambic, brettanomyces and lactic bacteria go hand in hand, but it was rather refreshing (literally!) to taste a wild beer (the standard Bayrischer Bahnhof Berliner Style Weisse) in which the emphasis was on the sour bacteria instead of the “brett.” I am personally at a loss to understand the contemporary preference for bitter over sour beers, but at least there are now numerous breweries experimenting with sour beer styles, and even uncovering some forgotten sour styles like Grätzer. The aim of resuscitating old, historical beer styles invariably produces debates about what the “real” or “authentic” style might have tasted like. The implicit fallacy, as recently discussed by Jeff Alworth, is that most beer styles were not made from scratch to conform to some kind of Platonic Ideal; beer styles often have a chaotic past and keep evolving, although it can be admitted that some styles have a more complicated and confusing past than others. The best brewery in the world, Cantillon, is an interesting example of the interplay of tradition and innovation. Cantillon is extremely traditionalist (non-interventionist) in its approach to brewing but also has an interesting record in experimentation with (or beyond) the lambic style, from the use of 100% malted barley and dry hopping (Cantillon Iris) to blending lambic and natural wine (Cantillon Pinot D’Aunis).
In closing, it is interesting to draw some attention to one of the unorthodox aspects of Berliner Weisse brewing; the no-boil (or short boil) method. Not boiling the wort can confer (or enhance) a number of characteristics of the beer; a lighter color, a “raw” dough character, cloudiness, reduced hop bitterness, participation of wild yeast and bacteria, and more sourness. The no-boil method is now almost exclusively associated with the Berliner style but has a more varied history (it used to be a popular method in Norwegian brewing, too), a topic that will be treated in more detail in the future.